David Lurie Personality in Coetzee’s Novel “Disgrace”
J. M. Coetzee’s Booker Prize-winning novel is a metaphor for the twenty-century globe and events happening inside it. While the book functions revolve around David Lurie and his personalized and intrapersonal complicated issues, the writer manages to present an image of the present-day complications in South Africa and describes the reason why that caused these problems. The outcome of apartheid happen to be depicted through Lurie’s daughter’s identity who prefers to obtain accustomed to the brand new state of things instead of rebel and fight them. The newly aroused electricity of the previously oppressed the main people is revealed through the personas of Petrus and Pollux. Even so, the main one who personifies a whole group of internal and external confrontations, who’s trying to resist the strain, who loses everything and tries to start the life yet again, is David. The novel, so, revolves around David Lurie, a University lecturer who faces one disgrace after another.
David Lurie may be the protagonist of the story, but this fact will not make the visitors unconditionally like him. Rather, you will find a number of conditions which make us dislike his character. His primary big disgrace includes his weekly periods with Soraya. While it isn’t disgraceful for a divorced gentleman to meet a prostitute, there’s something disrespectful in the manner he treats these meetings: regardless of his affection towards the girl, he admits he “solved the issue of sex” in this manner (Coetzee n. p.). However, once we can see later, this problem is not the most complicated one in Lurie’s lifestyle.
His other disgrace is the story with Melanie – a student he seduced and whose accusations he afterwards tries to disregard. In this situation, David’s arrogance makes the visitors feel unsympathetic and even hateful. This situation is bad not only because of his actions but because of his attitude towards these activities. He refuses to admit that he has done something wrong. He refuses to apologize to Melanie. What is worst of all, he refuses to understand. Instead of answering to Melanie’s dad, he “stands tongue-tied, the bloodstream thudding in his ears” (Coetzee n. p.) and then just leaves.
Lurie’s next disgrace comes with his arrival to his child Lucy’s farm. Several things add up to the character’s negative features. To begin with, he does not really know his daughter. The truth that he disapproves of what she is doing even seems some contempt towards her lifestyle choices, which means that he is a bad father. Secondly, in a situation when they are attacked, Lurie is usually helpless. At this time, however, the character realizes his disadvantage. He understands that he does not understand how to discuss the situation with his girl and he realizes his
Resistance to improve
At the start of the e book, Lurie is against changing anything in his daily life. He does not desire to admit his faults, and he will not see why he should adapt to the circumstances. He emphasizes a person’s personality is rigid and difficult to impact: “The skull, followed by the temperament: the two hardest parts of the body” (Coetzee n. p.).
Another period when Lurie refuses to change his attitudes and beliefs is usually when he ignores the faculty’s requirement to apologize to Melanie (Manhart 5). The character believes he has done nothing incorrect and prefers to lose his job rather than say he is sorry.
The third situation in which we see the character’s defiance is his therapy of the modifications in South Africa (“Within Retrospect: “Disgrace,” Coetzee’s Masterpiece”). He is not particularly approving of the new possibilities of the people who used to be oppressed. He is not happy at the fact that the man who used to be just like a servant at his daughter’s farm is now merely a neighbor and a co-proprietor (“In Retrospect: “Disgrace,” Coetzee’s Masterpiece”). Lurie is not ready for such innovations.
Transformation of Lurie’s Character
Along with Lurie’s disgraces produce through the novel, so carry out his character transformations. The initial one happens when he views how most likely the only stable part of his life isn’t so secure. When on a go walking in the city he views Soraya with two males who, he unmistakably understands, happen to be her sons, he realizes their romance has arrived at an end. He, who is definitely “a man of the town,” is sorry about “this glance” (Coetzee n. p.) because it implies that Soraya has noticed him, also. In this situation, we are able to wee that Lurie isn’t that hopeless and that he isn’t completely void of human thoughts.
The next change in David’s character occurs following the accident at Lucy’s farm. Perhaps for the very first time in his life, he can feel powerless and devastated. He does not understand how to help his daughter as well as talk to her about what had happened. The crash makes Lurie another person. He finally wants to apologize to Melanie’s family. The feeling of regret, at last, wakes up in him.
The last substantial transformation occurs after getting together with Melanie’s family. Lurie suddenly (and finally) realizes that he wants to be with his daughter and needs to guard her. While these aims are not fully achieved, his arrival back to the farm does help to make something good for David. After so much time spent on self-contemplation, he decides to do at least something very good and starts with assisting Bev at a dog clinic. Even though he replies “I suspect it is too late for me” (Coetzee n. p.) when his child says he should try to become a nice person, the crowd is ready to think that he still includes a chance.
Coetzee’s book comprises a complete group of ideas and characters inside it. The main identity, David Lurie, is both a poor and a confident one. The audience comes with an opportunity to follow his expansion through the span of the story. His carry out evolves from persistent and arrogant initially to resilient and regretful towards the finish. The writer raises such important designs as spouse and children, justice, masculinity, femininity, violence, and hate in his book. Even so, the biggest impact is made by the story’s protagonist David Lurie. Coetzee allows the readers to check out the character’s metamorphosis, to dislike him for his judgements and actions, and to get started liking him for his changed opinions. Lurie’s disgraces are different, but there is hope by the end of the novel that they can eventually stop, and he’ll live the rest of his lifestyle in a noble way, leaving behind his past failures but never forgetting the lessons they have taught him.
Coetzee, J. M. Disgrace . Penguin Textbooks, 2000.
“Within Retrospect: “Disgrace,” Coetzee’s Masterpiece.” Essential Mass . 2008, Net.
Manhart, Niklas. J. M. Co